The Rider fader will move as the plug‑in does its stuff, even before you record its output as automation data, and you can fine‑tune the operation by setting the range faders to limit the amount of level cut or boost applied. You can then use the output trim to adjust the overall vocal level to your liking. The yellow bar in the fader track shows the actual vocal level, and the further to the left you take the fader, the more severely the vocal level is controlled, as the target level is then lower. As the track plays, you adjust the Vocal Sensitivity, Attack and Instrument Sensitivity controls to get a subjectively even vocal level in all parts of the song, then adjust Target using its transparent fader cap. Vocal Rider is inserted on your vocal or vocal group track and the side‑chain input set to the bus to which the rest of your mix is routed. Operation turned out to be very straightforward using Logic Pro 9 running on a Mac Pro.
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